I’m Your Woman Rated R for violence and language.
#Im your woman film movie
It’s a tired trope that underscores why this ambitious movie doesn’t work. This is one of those movies in which the protagonist is shown time and again to be grievously ill-equipped to handle danger, until the point when she suddenly and decisively performs with bring-down-the-house competence. In 1966, single-mother Helen Reddy leaves her old life in Australia for New York and stardom, only to find that the industry doesn't take her seriously. But the evidence - that is, the characters killed every time she acts on her own accord - suggests that she just might want to take some direction. “I am so sick of everyone telling me what to do,” Jean grouses at a certain point. I t’s your baby, says mobster Eddie (Bill Heck), inexplicably plonking a strange crying infant into the lap of his wife, Jean (The Marvelous Mrs Maisel’s Rachel Brosnahan), before.
Brosnahan, when she’s not playing panicked, largely enacts Jean as an irritated cipher. The movie’s vagueness wants to appear purposeful, reflecting Jean’s disorientation, but it’s mostly confounding. Hence, the near misses with death start to feel like so many red herrings. It stars Rachel Brosnahan, Arinz Kene, Marsha Stephanie Blake, Bill Heck, Frankie Faison, Marceline Hugot and James McMenamin. “I’m Your Woman” unfolds these tense situations in a paradoxically languorous style. I'm Your Woman is a 2020 American neo-noir crime film set in the 1970s and directed by Julia Hart from a screenplay by Hart and Jordan Horowitz. They’re roused by a cop, who among other things, doesn’t like the sight of a Black man in the driver’s seat with a white woman in the passenger’s seat. They stop by the side of the road to settle the kid down, then fall asleep themselves. Julia Hart’s I’m Your Woman is, in practice, a feminist response to the decidedly male-centric crime genre. In their travels, a confused Jean and a sober, capable Cal discover the baby is a real crier.
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